Greetings
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Webson Ji, Creative Director, Li Tang
We are proud to announce the list of the selected artists that will take part in the international group exhibition Analog to Digital curated by OBITION and Li Tang. We received 218 artworks from all over the world and it was an incredibly difficult decision to narrow the list down to five artists. Thank you all for your participation and submissions. Analog to Digital is the first collaboration international group exhibition by OBITION and Li Tang. We work together to share lights for artists and creatives. Please stay tuned for upcoming exhibitions and opportunities. |
KK, Art Director, OBITION
We are delight to present the first group show of “obition”, Analog to Digital. The exhibition features a curated selection of innovative artists and works that highlight digital tool to broaden artistic perspectives during this historic era. The central highlight of the exhibition is arguably one of the most important notions, “digital”, for contemporary artists. Many of the works in the exhibition have distinguished attributes based on use of digital tools. We are looking forward to welcoming you to the exhibition and sharing these exceptional pieces with you. |
Thomas Valianatos, Greece
thomasvallianatos@gmail.com
www.vimeo.com/thomasvallianatos
thomasvallianatos@gmail.com
www.vimeo.com/thomasvallianatos
Paintscapes
“PAINTSCAPES” deals with CG landscapes based on fractal abstract painting. "Paintscapes" investigate J. Pollock's technique of dripping, digitize it in its micro-scale and promote it to a virtual three-dimensional landscape.
“Shan Shui Paintscape (G) art work refers to the traditional Chinese painting “Shan Shui” which depicts scenes of natural landscapes. Chinese "shan shui" paintings come to confirm the psychological concept of the landscape, as with their black and white inks and their semi-realistic style, they portray landscapes with intelligent painting implications of natural forms, with emphasis on psychological uptake and intellectual metaphor. Oswald (1956), Robert J. Maeda et al. (1970). The art works “Shan Shui Paintscape (G) & (B)” borrow narrative elements from the "Shan Shui" painting's philosophy, such as the paths leading to a thematic element and the viewer's psychological glance on the landscape and not the landscape itself.
“Shan Shui Paintscape (G) art work refers to the traditional Chinese painting “Shan Shui” which depicts scenes of natural landscapes. Chinese "shan shui" paintings come to confirm the psychological concept of the landscape, as with their black and white inks and their semi-realistic style, they portray landscapes with intelligent painting implications of natural forms, with emphasis on psychological uptake and intellectual metaphor. Oswald (1956), Robert J. Maeda et al. (1970). The art works “Shan Shui Paintscape (G) & (B)” borrow narrative elements from the "Shan Shui" painting's philosophy, such as the paths leading to a thematic element and the viewer's psychological glance on the landscape and not the landscape itself.
Flying in a Paintscape from Thomas Valianatos on Vimeo.
The "Flying in a Paintscape" & "Landing in a Paintscape" (see here: vimeo.com/250583718) artworks are based on the trajectories and τhe switching of the virtual camera lens exploring the 3D painting landscape. They further explore the psychological concept of the landscape, where the aesthetics of nature are associated with evolutionary instincts on their intake, but also the use of environmental information, based on sight or shelter, based on the virtual camera following different trajectories and heights.
The video aims to present the different stages of Paintscapes’ production on a single "canvas". It emphasizes the aesthetics of fractal paintings based on their complexity. In the final impression of the project, the degree of visual complexity is very high, because the fractal dimension of these images is very high. (fractal dimension is a parameter of fractal complexity). These images were measured to have a fractal dimension close to 9, slightly higher than J. Pollock's paintings, when measured by R P. Taylor (1998-1999).
In a complex artistic experience, however, it would be simplistic to claim that the aesthetics of nature or fractals themselves generally collapse to a measurable size as expressed through the fractal dimension (complexity / roughness). After all, a descriptive and measurable quantitative picture of the thickening of the fractal pattern in the observer's frame does not exhaust the emotional and psychological experience of the latter in relation to the artistic image.
In a complex artistic experience, however, it would be simplistic to claim that the aesthetics of nature or fractals themselves generally collapse to a measurable size as expressed through the fractal dimension (complexity / roughness). After all, a descriptive and measurable quantitative picture of the thickening of the fractal pattern in the observer's frame does not exhaust the emotional and psychological experience of the latter in relation to the artistic image.
Statement
My audiovisual work (see here: https://vimeo.com/thomasvallianatos), is a hybrid artwork based on New Media and Audio-reactive Live Visuals. The aim of the projects is to create experimental 2d/3d graphics in real time, with various techniques and Artistic Media such as Generative Art, Music Visualization, Virtual Reality, Depth Cameras and Synthesizers. The art works, in their final form, are presented as live audiovisual performances, video screenings, digital prints and original drawings.
The problematic of the interaction between image and sound is dominant in the art work. It consists of audiovisual works that explore the possibilities of live video screening and real-time music visualization. Utilizing visual and audio data streams, weaves through video screening systems and abstract audiovisual patterns, (See here: https://vimeo.com/showcase/5073598 and here: https://vimeo.com/showcase/4536324), and proposes an experimental model for producing audiovisual events and spatial narrative. (See also here: https://vimeo.com/showcase/5847495). It focus on interactive reconstruction of image and the real-time video production, based on audio visual information or the visual quality of a live sound. The purpose of the whole work is to explore the transition / translation of the 2d/3d image to sound and vice versa and to create generative images in real time.
Short CV
Thomas Valianatos was born in Athens and attended Athens School of Fine Arts, receiving a B.A. in Painting in 2003 and a M.A. in Digital Arts in 2006. The body of his work ranges from 2d & 3d animation works and comic book art works to electronic music composition and live audiovisual performances (1998-2020). Since 2010 he has been teaching as Lecturer (Permanent Lecturer, since 2020) at the Department of Audio & Visual Arts of Ionian University, in both to undergraduate and postgraduate students, academic art, 2d/3d animation, digital illustration, non linear narratives and Live Visuals. Since 2000, his artworks, in the form of original comic book art, digital prints, live electronic music, videos and live audio & visual performances, have been exhibited both nationally and internationally at various international festivals and art exhibitions and in various publishers and advertising films in Cinema & TV, including the 10th European and Mediterranean Young Artists Biennale, National Museum of Contemporary Art (Athens, EMST), Michael Cacoyannis Foundation (MCF), ARTATHINA, Athens Digital Arts Festival (ADAF), Cambridge Science Festival, Splice Festival, LPM Live Performers Meeting, Synch Festival, China VISAP, Athens Science Festival, Athens International Comics Festival, Mylos Thessaloniki, Rodon Live Club
My audiovisual work (see here: https://vimeo.com/thomasvallianatos), is a hybrid artwork based on New Media and Audio-reactive Live Visuals. The aim of the projects is to create experimental 2d/3d graphics in real time, with various techniques and Artistic Media such as Generative Art, Music Visualization, Virtual Reality, Depth Cameras and Synthesizers. The art works, in their final form, are presented as live audiovisual performances, video screenings, digital prints and original drawings.
The problematic of the interaction between image and sound is dominant in the art work. It consists of audiovisual works that explore the possibilities of live video screening and real-time music visualization. Utilizing visual and audio data streams, weaves through video screening systems and abstract audiovisual patterns, (See here: https://vimeo.com/showcase/5073598 and here: https://vimeo.com/showcase/4536324), and proposes an experimental model for producing audiovisual events and spatial narrative. (See also here: https://vimeo.com/showcase/5847495). It focus on interactive reconstruction of image and the real-time video production, based on audio visual information or the visual quality of a live sound. The purpose of the whole work is to explore the transition / translation of the 2d/3d image to sound and vice versa and to create generative images in real time.
Short CV
Thomas Valianatos was born in Athens and attended Athens School of Fine Arts, receiving a B.A. in Painting in 2003 and a M.A. in Digital Arts in 2006. The body of his work ranges from 2d & 3d animation works and comic book art works to electronic music composition and live audiovisual performances (1998-2020). Since 2010 he has been teaching as Lecturer (Permanent Lecturer, since 2020) at the Department of Audio & Visual Arts of Ionian University, in both to undergraduate and postgraduate students, academic art, 2d/3d animation, digital illustration, non linear narratives and Live Visuals. Since 2000, his artworks, in the form of original comic book art, digital prints, live electronic music, videos and live audio & visual performances, have been exhibited both nationally and internationally at various international festivals and art exhibitions and in various publishers and advertising films in Cinema & TV, including the 10th European and Mediterranean Young Artists Biennale, National Museum of Contemporary Art (Athens, EMST), Michael Cacoyannis Foundation (MCF), ARTATHINA, Athens Digital Arts Festival (ADAF), Cambridge Science Festival, Splice Festival, LPM Live Performers Meeting, Synch Festival, China VISAP, Athens Science Festival, Athens International Comics Festival, Mylos Thessaloniki, Rodon Live Club
Citron | Lunardi, Italy
citron.lunardi@gmail.com
www.citronlunardi.myportfolio.com
citron.lunardi@gmail.com
www.citronlunardi.myportfolio.com
Compost n.1 from Citron | Lunardi on Vimeo.
Compost n.1 is a part of an artistic project that combine science, video art and digital sculpting and is ispirated by the recent studies of Donna Haraway on the concept of Chtulucene: not a post human world but a human compost world characterized by a continuous process of composition and decomposition.
This change of perspective is urgent especially against the backdrop of the ongoing pandemic, it is necessary - to use Donna Haraway's words - “to stay with the trouble” in this infected time and deal with kinship systems among various species.
In particular, this video shows a panorama populated by symbiotic assemblages, infected surviving and migrant collaborative beings – artificial intelligences biofabricated - that wallow in a liminal environment between natural and artificial, between mineral and organic in which humanity ha reduced itself to a crystalline form.
This change of perspective is urgent especially against the backdrop of the ongoing pandemic, it is necessary - to use Donna Haraway's words - “to stay with the trouble” in this infected time and deal with kinship systems among various species.
In particular, this video shows a panorama populated by symbiotic assemblages, infected surviving and migrant collaborative beings – artificial intelligences biofabricated - that wallow in a liminal environment between natural and artificial, between mineral and organic in which humanity ha reduced itself to a crystalline form.
Back up my memories from Citron | Lunardi on Vimeo.
Back up my memories is a reflection on the disquieting perspectives offered by cryopreservation. Is it possible to crystallize the brain? Can memories be frozen before death to be defrosted in the near future thanks to new scientific discoveries?
Back up my memories is about the fear of losing memory and therefore of dying. Recovering memories means to long for immortality.
So, the fear of losing memories will become the fear of losing data.
At the same time, the video imagines a future in which the infinite digitization and quantification of data has made information overloaded starting a process of crystallization.
And certainly the more we will be connected to machines that will keep us alive, the more we will be imprisoned inside a global crystalline structure of data, information and technology from which we will no longer be able to separate ourselves as it could mean accepting death.
Back up my memories is about the fear of losing memory and therefore of dying. Recovering memories means to long for immortality.
So, the fear of losing memories will become the fear of losing data.
At the same time, the video imagines a future in which the infinite digitization and quantification of data has made information overloaded starting a process of crystallization.
And certainly the more we will be connected to machines that will keep us alive, the more we will be imprisoned inside a global crystalline structure of data, information and technology from which we will no longer be able to separate ourselves as it could mean accepting death.
Statement
Compost n.1 is a part of an artistic project that combine science, video art and digital sculpting and is ispirated by the recent studies of Donna Haraway on the concept of Chtulucene: not a post human world but a human compost world characterized by a continuous process of composition and decomposition. This change of perspective is urgent especially against the backdrop of the ongoing pandemic, it is necessary to use Donna Haraway's words - "to stay with the trouble" in this infected time and deal with kinship systems among various species. In particular, this video shows a panorama populated by symbiotic assemblages, infected surviving and migrant collaborative beings - artificial intelligences biofabricated - that wallow in a liminal environment between natural and artificial, between mineral and organic in which humanity ha reduced itself to a crystalline form.
Back up my memories is a reflection on the disquieting perspectives offered by cryopreservation. Is it possible to crystallize the brain? Can memories be frozen before death to be defrosted in the near future thanks to new scientific discoveries? Back up my memories is about the fear of losing memory and therefore of dying. Recovering memories means to long for immortality. So, the fear of losing memories will become the fear of losing data. At the same time, the video imagines a future in which the infinite digitization and quantification of data has made information overloaded starting a process of crystallization. And certainly the more we will be connected to machines that will keep us alive, the more we will be imprisoned inside a global crystalline structure of data, information and technology from which we will no longer be able to separate ourselves as it could mean accepting death.
Short CV
Citron Lunardi is a collaboration between two different personalities: Selene Citron (1986) passing from digital fabrication to performance and Luca Lunardi (1980) who works with video and writing. Citron is a performer and sculptor. Her research is based on the use of simple materials: plaster, argilla, resin, twine, iron. Her current artistic work focuses on digital fabrication and 3D printing. She is a sculpture teacher in Liceo Artistico "Selvatico" of Padua. Lunardi is a filmmaker specialized in scientific communication and documentary. His artist research explored some different areas (cinema, video art, science and animal studies). Their artworks take a critical view of social, political and cultural issues. Often they arise from a very urgent suggestion of the society's problems. This suggestion often becomes an artifact created by Citron, or sometimes a performance. At this point the object or the performative act becomes a subject that Lunardi develops in film language. We scrutinize established terms like nature, culture and technology, including their definitional boundaries. We draw up experimental and future-oriented scenarios to reflect upon the hybrid network between humans and their environment.
The artworks become a hybrid that mixes the pixel framework, the 3D print, the performance and the environment. A contamination that redraws the boundaries between the human and the post human, the analogical and the digital, the artificial and the natural. Their works have participated in national and international exhibitions. Our recent suggestions are the studies of the philosopher of science and pioneer cyborg feminist Donna Haraway who calls for an interspecies symbiosis.
Compost n.1 is a part of an artistic project that combine science, video art and digital sculpting and is ispirated by the recent studies of Donna Haraway on the concept of Chtulucene: not a post human world but a human compost world characterized by a continuous process of composition and decomposition. This change of perspective is urgent especially against the backdrop of the ongoing pandemic, it is necessary to use Donna Haraway's words - "to stay with the trouble" in this infected time and deal with kinship systems among various species. In particular, this video shows a panorama populated by symbiotic assemblages, infected surviving and migrant collaborative beings - artificial intelligences biofabricated - that wallow in a liminal environment between natural and artificial, between mineral and organic in which humanity ha reduced itself to a crystalline form.
Back up my memories is a reflection on the disquieting perspectives offered by cryopreservation. Is it possible to crystallize the brain? Can memories be frozen before death to be defrosted in the near future thanks to new scientific discoveries? Back up my memories is about the fear of losing memory and therefore of dying. Recovering memories means to long for immortality. So, the fear of losing memories will become the fear of losing data. At the same time, the video imagines a future in which the infinite digitization and quantification of data has made information overloaded starting a process of crystallization. And certainly the more we will be connected to machines that will keep us alive, the more we will be imprisoned inside a global crystalline structure of data, information and technology from which we will no longer be able to separate ourselves as it could mean accepting death.
Short CV
Citron Lunardi is a collaboration between two different personalities: Selene Citron (1986) passing from digital fabrication to performance and Luca Lunardi (1980) who works with video and writing. Citron is a performer and sculptor. Her research is based on the use of simple materials: plaster, argilla, resin, twine, iron. Her current artistic work focuses on digital fabrication and 3D printing. She is a sculpture teacher in Liceo Artistico "Selvatico" of Padua. Lunardi is a filmmaker specialized in scientific communication and documentary. His artist research explored some different areas (cinema, video art, science and animal studies). Their artworks take a critical view of social, political and cultural issues. Often they arise from a very urgent suggestion of the society's problems. This suggestion often becomes an artifact created by Citron, or sometimes a performance. At this point the object or the performative act becomes a subject that Lunardi develops in film language. We scrutinize established terms like nature, culture and technology, including their definitional boundaries. We draw up experimental and future-oriented scenarios to reflect upon the hybrid network between humans and their environment.
The artworks become a hybrid that mixes the pixel framework, the 3D print, the performance and the environment. A contamination that redraws the boundaries between the human and the post human, the analogical and the digital, the artificial and the natural. Their works have participated in national and international exhibitions. Our recent suggestions are the studies of the philosopher of science and pioneer cyborg feminist Donna Haraway who calls for an interspecies symbiosis.
Claudia Ungersbäck, Austria
info@claudiaungersbaeck.com
www.claudiaungersbaeck.com
info@claudiaungersbaeck.com
www.claudiaungersbaeck.com
Lat. copiare
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"The questions of originality asked in a world of DIY reproduction."
Education
fashion design school wiener neustadt
wiener kunstschule class for printmaking
animationcourses-studentships at academy of fine arts krakow
philosophy university of vienna, lectures at university of supplied arts vienna
Solo-shows
old and new sketches, 3 paintings and some music in a bar, Cafe Zipp, Vienna 2020
Textkörper und Musikbilder, wienstation, Vienna, 2020
gesTrues - with dancetheatreperformance NEGOTIOATIONS by Alexander Gottfarb Tanzquartier Filiale Vienna 2019
LYSMF! Ateliertheater Vienna 2017
BADABOOM aa collection Vienna 2016
out of the blue aa collection Vienna 2014
Group shows (selection)
Visuelle Poesiegalerie, IG Architektur, Vienna 2020
Portrait 2020, Czong Institute for Contemporary Art CICA Museum, South Korea, 2020
Icon, Cover and Border, mmac Gallery, Barcelona, Spain, 2020
Self(ie) and the other: Portraiture, ph Gallery, Budapest, Hungary, 2020
EUROPE NOW - Verena Andrea Prenner in collaboration with, galeriekrems, Austria, 2019
F is For, Feminism and the Female Form, Hyperflexion Contemporary Art, Walmer, East Cape, South Africa, 2019
36th Austrian Graphic Art Competition group show, Taxispalais Kunsthalle Tirol, 2019
bright minds dark toughts, PARALELL, Vienna, 2018
bright minds dark thoughts, Spitzer (Odeon Theater), Vienna, 2018
philosophy unbound: "Die Banalität der Dinge" Spektakel, Vienna, 2017
Festival dreisechsfünf: Kaleidoskop Morgengrauen aa collection, Vienna 2017
5 years aa collection, aa collection Vienna, 2016
zum industriellen Weg aa collection Vienna, 2016
the anatomy of melancholy, Ateliertheater Vienna, 2016
GIRLS, Halb7 Vienna, 2015
kleine Lieblinge, Duette philomedia Vienna, 2015
ArtmArt, Künstlerhaus Vienna, 2010
ArtmArt, Künstlerhaus Vienna, 2008
ArtmArt, Künstlerhaus Vienna, 2007
Der Stein, Galerie am Park Vienna 2007
Scharfe Drucke, Offizin für Druckgraphik, Vienna 2006
Auf Aussenmontage, Austrian Consulat Krakow - Graphik Triennale, 2006
exit_06, Neustifthalle Vienna, 2006
1.Europäische Lithographietage, Steindruck München, 2005
Robert Schmitt-Druckgraphikpreis, kleine Galerie Vienna, 2005
the personal is political und peinlich, WUK Vienna, 2004
Stradener Straßenspektakel Straden, 2004
Filmography
lat. copiare - Festival Fotogenia, International Film Poetry and Divergent Film Narrtives Festival, Mexico City, 2020
lat. copiare - Sound and Vision International Film and Technology Festival, NY, US 2020
lat. copiare - 4th Annual Animated Shorts Film Festival, Aggregate Space Gallery, Oakland, CA, US 2020
febris nocturna - London Experimental Film Festival - UK, 2020
febris nocturna - official selection - frostbite international independend film festival - Colorado, US 2020
aus lat. copare - frostbite international independend film festival, Award, Colorado , US 2020
aus lat. copiare - International Digital Art Festival, Sofia, Bulgaria 2019
aus lat. copiare - esto es para esto Experimental Film Festival, Monterrey city, Mexico 2019
aus lat. copiare - Mobile Lantern exhibit, Milwaukee, US 2019
febris nocturna - ALC Video Art Festival, Alicante, Spain 2019
aus lat.copiare - The Chaffey Review Film Festival, California, US, 2019
aus lat. copiare - Festival Muestra international de videodanza y videoarte, Muestra Moviemento Audivisual, Guadalajara, Mexico 2018
test - Berlin Short Film Festival 2018
aus lat. copiare - Vienna Independend Film Festival 2017
aus lat. copiare - Tricky Women 2007
ohne worte - Ladyfest Wien 2004
Publikations/Writings
Interview in: ART Habens Biennal Edition 2020
Article: NA.SERVUS in: ZUKUNFT 07 2019
Prizes
Bronze Savvy Award Winner - lat. copiare - Sound and Vision International Film and Technology Festival: lat.copiare
Award for Best Experimental and Best Editing for the month of June - frostbite international independend film festival: lat. copiare
fashion design school wiener neustadt
wiener kunstschule class for printmaking
animationcourses-studentships at academy of fine arts krakow
philosophy university of vienna, lectures at university of supplied arts vienna
Solo-shows
old and new sketches, 3 paintings and some music in a bar, Cafe Zipp, Vienna 2020
Textkörper und Musikbilder, wienstation, Vienna, 2020
gesTrues - with dancetheatreperformance NEGOTIOATIONS by Alexander Gottfarb Tanzquartier Filiale Vienna 2019
LYSMF! Ateliertheater Vienna 2017
BADABOOM aa collection Vienna 2016
out of the blue aa collection Vienna 2014
Group shows (selection)
Visuelle Poesiegalerie, IG Architektur, Vienna 2020
Portrait 2020, Czong Institute for Contemporary Art CICA Museum, South Korea, 2020
Icon, Cover and Border, mmac Gallery, Barcelona, Spain, 2020
Self(ie) and the other: Portraiture, ph Gallery, Budapest, Hungary, 2020
EUROPE NOW - Verena Andrea Prenner in collaboration with, galeriekrems, Austria, 2019
F is For, Feminism and the Female Form, Hyperflexion Contemporary Art, Walmer, East Cape, South Africa, 2019
36th Austrian Graphic Art Competition group show, Taxispalais Kunsthalle Tirol, 2019
bright minds dark toughts, PARALELL, Vienna, 2018
bright minds dark thoughts, Spitzer (Odeon Theater), Vienna, 2018
philosophy unbound: "Die Banalität der Dinge" Spektakel, Vienna, 2017
Festival dreisechsfünf: Kaleidoskop Morgengrauen aa collection, Vienna 2017
5 years aa collection, aa collection Vienna, 2016
zum industriellen Weg aa collection Vienna, 2016
the anatomy of melancholy, Ateliertheater Vienna, 2016
GIRLS, Halb7 Vienna, 2015
kleine Lieblinge, Duette philomedia Vienna, 2015
ArtmArt, Künstlerhaus Vienna, 2010
ArtmArt, Künstlerhaus Vienna, 2008
ArtmArt, Künstlerhaus Vienna, 2007
Der Stein, Galerie am Park Vienna 2007
Scharfe Drucke, Offizin für Druckgraphik, Vienna 2006
Auf Aussenmontage, Austrian Consulat Krakow - Graphik Triennale, 2006
exit_06, Neustifthalle Vienna, 2006
1.Europäische Lithographietage, Steindruck München, 2005
Robert Schmitt-Druckgraphikpreis, kleine Galerie Vienna, 2005
the personal is political und peinlich, WUK Vienna, 2004
Stradener Straßenspektakel Straden, 2004
Filmography
lat. copiare - Festival Fotogenia, International Film Poetry and Divergent Film Narrtives Festival, Mexico City, 2020
lat. copiare - Sound and Vision International Film and Technology Festival, NY, US 2020
lat. copiare - 4th Annual Animated Shorts Film Festival, Aggregate Space Gallery, Oakland, CA, US 2020
febris nocturna - London Experimental Film Festival - UK, 2020
febris nocturna - official selection - frostbite international independend film festival - Colorado, US 2020
aus lat. copare - frostbite international independend film festival, Award, Colorado , US 2020
aus lat. copiare - International Digital Art Festival, Sofia, Bulgaria 2019
aus lat. copiare - esto es para esto Experimental Film Festival, Monterrey city, Mexico 2019
aus lat. copiare - Mobile Lantern exhibit, Milwaukee, US 2019
febris nocturna - ALC Video Art Festival, Alicante, Spain 2019
aus lat.copiare - The Chaffey Review Film Festival, California, US, 2019
aus lat. copiare - Festival Muestra international de videodanza y videoarte, Muestra Moviemento Audivisual, Guadalajara, Mexico 2018
test - Berlin Short Film Festival 2018
aus lat. copiare - Vienna Independend Film Festival 2017
aus lat. copiare - Tricky Women 2007
ohne worte - Ladyfest Wien 2004
Publikations/Writings
Interview in: ART Habens Biennal Edition 2020
Article: NA.SERVUS in: ZUKUNFT 07 2019
Prizes
Bronze Savvy Award Winner - lat. copiare - Sound and Vision International Film and Technology Festival: lat.copiare
Award for Best Experimental and Best Editing for the month of June - frostbite international independend film festival: lat. copiare
Heliodoro Santos Sánchez, Mexico
heliosantossanchez@gmail.com
www.heliosantos.org
heliosantossanchez@gmail.com
www.heliosantos.org
Statement
#LandscapeBot
Bot (Twitterbot) that generates landscapes for internet through machine learning algorithms, computer vision and artificial intelligence, the final output is Twitter. These images are created from a open acces paintings database belonging to museum collections from MET (Metropolitan Museum of New York), the Chicago Art Institute and Museo del Prado. The bot identifies, analyzes and classifies different landscape elements (sky, vegetation, terrain and clouds) using machine learning algorithms and computer vision, to later recompose images that complete and reconfigure new landscapes, finally it is conjugated with 3D virtual territories. This project seeks to establish relationships and dialogues between the mass production of images, the information flow, art history and painting.
Short CV
Bio. Artist and researcher, his art projects are driven by his interests in relationships between data, society, internet and audiovisual media, currently working on the creation of generative systems, bots development and artificial intelligence in art.
His research-production work has been selected in the FILE in Rio de Janeiro and the ISEA 2012 Machine Wilderness, he has exhibitions in venues such as the Arts Santa Monica in Barcelona for the TV / Arts / TV exhibition, at the Fundación Telefónica in Lima, the MAXXI Museum in Rome, the Musée des Tapisseries, Aix-en-Provence, El Palacio de Cristal in Guayaquil, Ecuador, at the Cultural Institutes of Mexico in Miami and Washington and also in the Hunter College in New York, He has show his work in México in Ex Teresa Arte Actual, Centro Cultural Border, Centro Multimedia and Centro de Cultura Digital. He won an Artist Award at the Biennial of Frontiers in 2015.
#LandscapeBot
Bot (Twitterbot) that generates landscapes for internet through machine learning algorithms, computer vision and artificial intelligence, the final output is Twitter. These images are created from a open acces paintings database belonging to museum collections from MET (Metropolitan Museum of New York), the Chicago Art Institute and Museo del Prado. The bot identifies, analyzes and classifies different landscape elements (sky, vegetation, terrain and clouds) using machine learning algorithms and computer vision, to later recompose images that complete and reconfigure new landscapes, finally it is conjugated with 3D virtual territories. This project seeks to establish relationships and dialogues between the mass production of images, the information flow, art history and painting.
Short CV
Bio. Artist and researcher, his art projects are driven by his interests in relationships between data, society, internet and audiovisual media, currently working on the creation of generative systems, bots development and artificial intelligence in art.
His research-production work has been selected in the FILE in Rio de Janeiro and the ISEA 2012 Machine Wilderness, he has exhibitions in venues such as the Arts Santa Monica in Barcelona for the TV / Arts / TV exhibition, at the Fundación Telefónica in Lima, the MAXXI Museum in Rome, the Musée des Tapisseries, Aix-en-Provence, El Palacio de Cristal in Guayaquil, Ecuador, at the Cultural Institutes of Mexico in Miami and Washington and also in the Hunter College in New York, He has show his work in México in Ex Teresa Arte Actual, Centro Cultural Border, Centro Multimedia and Centro de Cultura Digital. He won an Artist Award at the Biennial of Frontiers in 2015.
Jen Yoon, Republic of Korea
jenyoonart@gmail.com
www.jenyoonart.com
jenyoonart@gmail.com
www.jenyoonart.com
Short CV
Jen Yoon (Jeongin Yoon) is an illustrator based in Seoul and New York.
Her works specialize in both digital and traditional mediums, creating line works arouse deep, strong emotions.
Recognition
Adobe Government Creativity Awards honorable mention, 2019
Illustration West, The Society of illustrators of Los Angeles 58, 2019
American Illustration 38 selected, 39 chosen, 2019, 2020
World Illustration Awards Book highly commended, 2019
Adobe Design Achievement Awards semifinalist, 2018
3x3 International Illustration Show No.15&16, 2018/2019
iJungle Illustration Awards, 2018
Features
The Palace of Versailles, Dessine Moi Versailles winner
Li Tang Digital Arts Magazine, interview
Imagine FX Magazine, 180
Popshot Mystery Magazine
FORGE. Art Magazine issue 24
META 2020 mini type fest
Brightness Magazine issue 16, interview
Girlsclub Asia, interview
Dpi magazine, interview
Creative Quarterly, 57
Pikchur Magazine
Uppercase Magazine, Fresh!
Books
"북유럽 신화 : 신들의 모험, 사랑 그리고 전쟁", 아르볼 N클래식, 2019
"Food Is Love", Caela Collins, 2019
Shows
"Power In Numbers", Gallery Nucleus, LA, 2020
'Illustration West 58", Los Angeles Academy of Figurative Art, 2020
"베리 크리스마스" , 아트아치 갤러리 그룹전, 2019
"Dog Days", Kenektid x Gallery, 2019
"LG 코드제로 아트펀딩 프로젝트", 영등포 타임스퀘어, 2019
"Into the Rabbit Hole", Caffeine Underground, Brookyn, 2018
"Beyond Optics", SVA Chelsea Gallery, New York, 2017
"Art Squad", Creativebloch Art Gallery, Brooklyn, 2017
Jen Yoon (Jeongin Yoon) is an illustrator based in Seoul and New York.
Her works specialize in both digital and traditional mediums, creating line works arouse deep, strong emotions.
Recognition
Adobe Government Creativity Awards honorable mention, 2019
Illustration West, The Society of illustrators of Los Angeles 58, 2019
American Illustration 38 selected, 39 chosen, 2019, 2020
World Illustration Awards Book highly commended, 2019
Adobe Design Achievement Awards semifinalist, 2018
3x3 International Illustration Show No.15&16, 2018/2019
iJungle Illustration Awards, 2018
Features
The Palace of Versailles, Dessine Moi Versailles winner
Li Tang Digital Arts Magazine, interview
Imagine FX Magazine, 180
Popshot Mystery Magazine
FORGE. Art Magazine issue 24
META 2020 mini type fest
Brightness Magazine issue 16, interview
Girlsclub Asia, interview
Dpi magazine, interview
Creative Quarterly, 57
Pikchur Magazine
Uppercase Magazine, Fresh!
Books
"북유럽 신화 : 신들의 모험, 사랑 그리고 전쟁", 아르볼 N클래식, 2019
"Food Is Love", Caela Collins, 2019
Shows
"Power In Numbers", Gallery Nucleus, LA, 2020
'Illustration West 58", Los Angeles Academy of Figurative Art, 2020
"베리 크리스마스" , 아트아치 갤러리 그룹전, 2019
"Dog Days", Kenektid x Gallery, 2019
"LG 코드제로 아트펀딩 프로젝트", 영등포 타임스퀘어, 2019
"Into the Rabbit Hole", Caffeine Underground, Brookyn, 2018
"Beyond Optics", SVA Chelsea Gallery, New York, 2017
"Art Squad", Creativebloch Art Gallery, Brooklyn, 2017
Introduction of "Global Art Management Symposium: Analog to Digital"
In order to discuss with artists about the group exhibition's theme, "Analog to Digital", we will open "Global Art Management Symposium: Analog to Digital". This symposium will be held via ZOOM(online video chat). If you want to join us, please let us know through email(obition2016@gmail.com). We are going to send the link to access the symposium.
1) Host: Gloabl Alliance of Marketing & Managment Associations
2) Partners: ACCESS, Li Tang, OBITION
3) Date: 2020.12.27.
4) Presenters: 5 artists of "Analog to Digital"
5) The range of audience: For everyone
6) Registration fee: Free
1) Host: Gloabl Alliance of Marketing & Managment Associations
2) Partners: ACCESS, Li Tang, OBITION
3) Date: 2020.12.27.
4) Presenters: 5 artists of "Analog to Digital"
5) The range of audience: For everyone
6) Registration fee: Free